Get ready to dive into a cinematic treasure trove because the Criterion Collection just got even more exciting! Three of 2025’s most celebrated films—Joachim Trier’s Sentimental Value, Jafar Panahi’s It Was Just an Accident, and Kleber Mendonça Filho’s The Secret Agent—have officially joined the prestigious lineup. Distributed by Neon, these powerhouse films are not only Oscar frontrunners but also shortlisted for Best International Feature. But here’s where it gets controversial: Can these critically acclaimed masterpieces live up to the lofty standards of the Criterion Collection, or will they spark debates among cinephiles? Let’s break it down.
It Was Just an Accident, directed by Jafar Panahi, took home the Palme d’Or at the 2025 Cannes Film Festival, marking Neon’s sixth consecutive win in this category. The film also snagged four Golden Globe nominations, including Best Motion Picture – Drama and Best Director. But this is the part most people miss: Panahi’s bold storytelling has often divided audiences, leaving some to wonder if its triumph at Cannes was deserved. What do you think?
Joachim Trier’s Sentimental Value wasn’t far behind, clinching the Grand Prix at Cannes and earning a whopping eight Golden Globe nominations. Stellan Skarsgaard’s performance as Best Supporting Actor was a highlight, but the film’s exploration of emotional complexity has left viewers either deeply moved or scratching their heads. Is it a masterpiece or just overly sentimental? Let’s hear your take.
The Secret Agent, directed by Kleber Mendonça Filho, rounded out the trio with three Golden Globe nominations and two wins, including Best Actor – Drama for Wagner Moura and Best Foreign Language Film. Yet, its blend of political intrigue and personal drama has sparked debates about its pacing and narrative focus. Is it a thought-provoking gem or a missed opportunity?
Looking ahead, Neon’s 2026 slate is packed with must-watch titles, including Ugo Bienvenu’s Arco, Oliver Laxe’s Sirat, and Baz Luhrmann’s EPiC: Elvis Presley in Concert. With Neon’s track record—think Parasite and Anora, both Oscar Best Picture winners—expect nothing short of brilliance. But here’s a thought: Can Neon maintain its streak, or is the pressure to deliver too high?
The Criterion Collection, known for its impeccable technical quality and original supplements, continues to set the gold standard for film preservation. But as it adds these contemporary works, one has to ask: Are these films truly 'classic' enough for Criterion, or is the line between classic and contemporary blurring? Share your thoughts in the comments—we’d love to hear your take on this evolving cinematic landscape!
